a collapse of any truth, absence of light, and spectroscopic industrial manoeuvres in the dark: this is isolated process ep realized by kwartz. isolated process is a robotic monotonic thought deep down the furthest abyss. belling drums alongside drones and solid grey basslines appears on first function and second function: two different points of view, two moments about the same hypnotic march. milton bradleys remix is a slower exploration of what remains alive underneath the space. slow and cyclical beats hits back the mind once lost in the ocean. pure machine darkness.

in 2013 bootshonk was the white label release spurred by the calls from dc10s dance floor. this time around bootshonk steps ahead of the game and pre-empts two of this summers sure-fire underground dj weapons. troubled times brings high energy tribal drumming, simple and stripped back to ultimate rhythmic effect. patiently building up with claps before sliding into a moment of surrealist vocal samples, for a woozy, trippy vibe. with stamper square the mood shifts deeper, delving into the late night mystery and a new level of dance floor entrancement.

combo release by lunar lodge & mai mai mai. three unreleased tracks born from the collaboration between the two sides of the roman obscure underground scene. industrial beats, dark techno, drones and samples from the traditional percussions of sila mountains: armed with analogue equipent (909, 707, ms20, opera 6, pro-one...) they will bring you down exploring your dark feelings thru the deepest side of the beat.

decadubs 4 is a vinyl-only companion-piece to hyperdub 10.3, the latest cd in hyperdubs ongoing series of birthday-marking collections. following on from the labels first two 10th anniversary compilations, the third act represented in 10.3 transects and extrapolates forward the hyperdub catalogue from yet another angle, this time following the melancholy vapour trail drafted by burials numerous atmospheric beatless moments. this ep tunes in to those 11 new moments of downcast ambience that comprise half of the cds complete content, resulting in over 40 minutes of hitherto-unknown audio which squarely shoulder their extended play billing.

classic classic classic nyc garage pressure from 1993 here courtesy of george morel, > lets groove< is a true anthem, a sure shot party starter that crossed over into many scenes getting spins from all the big hitters in the usa, the uk garage dons and discerning european house heads alike.
originally released on strictly rhythm this repress boasts two brand new 2014 mixes, one from george himself that strips the og right back to basics and one from newcomer steve nash who updates > lets groove< giving it a more contemporary feel.

subwax excurssions, the trippiest arm of the multifaceted label family pivoting around barcelonas via-sweden most active electronic agitators, has a fifth record on the pipeline. after some brilliant efforts -including the comeback of long forgotten jordan fields and a brand new album from rush hours new totem orlando voorn the label presents a split record meant to highlight the work of two middle class workers of the club scene whose works are screaming for some recognition.

time will tell they say, and so it didnt… *lebush* had been lost in the minibar archive since 2005, making a few strongly unnoticed reappearances year in, year out, before finally ending up on glucks *…just the tip* ep today. the package comes with a self-explanatory lebush-kickmix version by cabanne, as well as two debilitating slices of interstellar ear pain called *in lov* and *werehouse*, both recorded while performing freestyle dentistry on a dead yet actively reluctant coat hanger. while doctors, surgeons and butchers the world over can only frown, you can get your own copy before they’re banned in your country.

exceptional taste and sound is an ideal that rhythm cult embodies and is at the core of the label s mission. with its first release bringing an eclectic group of electronic tracks, the second release raises the standard even higher. this time danish duo jesper larsen and simon knøsgaard aka greenville massive, drop three original works of high standard house sounds. known for their signature style, sitting between deep and tech house, the two tend to rely heavily on a melancholic vibe in their work. the rewind ep is just that, a flawless ode to their carefully honed sound through years of exploration. a cosmic ride of relaxed and charismatic electronic music, rhythm cult s second number is mature and oozes delightful soundscape

since their birth rvde published two eps gaining good feedback around and refining their sound in the meantime. first one came from black reel and shown the producers skills as well.

savage grounds are cco and daniele cosmo, co-owner of lux rec. a techno related outfit to explore a darker, noisier and more menacing sound. the ep has been realised by using only three machines. a roland 808, a modular synthesizer and a roland space echo. every track has been recorded live with a minimum of post processing. come over the fence and dance with the savages.

two boys and girls on the spur of the moment.

part 2 of 2 from mfo on the dekmantel label. the machines take control. the label say: after making their debut on dekmantel not so long ago, italian duo rio padice and massimo di lena, together known as mephisto frequency oscillator (mfo) now serve up part two of the future city traffic ep. across four new tracks they continue to explore grainy, dirty house that is variously soulful, funky or cosmic in nature.

odd music are back with the photosynthesize ep. odd004 is a further exploration into the deep rooted house cuts we know and love. this time there are two tracks from odd themselves, and two from bucharest based producer barac. four tracks of rattling, rolling percussion packed into a gorgeous gate-fold double pack!

transcendent starts a white label (hand stamped) series besides the regular label output. the first release is by leeuwardens finest electronic music veteran marcel caron, hailing from the north of the netherlands. he presents two carefully crafted dark haunting uncompromising ambient techno tracks. prepare for an ultimate dystopia of dark hardware electronics. including two hexagon (aka conforce) remixes for the different hours.pressing of 150 copies!

only 1 per customer !!
although known for its more deep and dubbed out vibes mosaic lovers will be aware that there has always been a home for more straight-up techno on the label. we are happy to announce that this september a limited edition series of 12 inches focussing exclusively on main room techno joints will be launched: mosaic red label.
volume 1 of the series sees legendary uk hardgroove techno don, ben sims, return to the mosaic camp after almost 13 years with two tasty slices of quality machine driven funk that are guaranteed to get yer feet and hips moving.
this release will be pressed on limited edition 180g white vinyl in a special collectors edition sleeve

last year moscow records set up sub-label moss co and each release so far has introduced a new set of artists. for this third release it is nu zau, aka stefan gabriel zamfir and loopdeville, aka d zlatinov. nu zau debuted on fear of flying in 2012 and his 2013 was prolific with seven releases added to his name. he provides an 11-minute drum track, *cumse cuvine*, that is filled with kooky and super minimal, squeaks, tweets and vocal samples, a fine production. loopdevilles kick drum on *piance* in comparison to zaus a-side is standout, and here he provides a cold and moody track designed for those deeper moments of the night. it is the london-based producers third release after debuting in 2013 with two 12 inches, one of which, phantasmagoria, inaugurated new label delooped.

jenifa mayanja and dakini9 (aka lola) are back with the third installment on their label sound warrior, this time with two new artists beginning to make a name for themselves in the underground electronic music scene.

petter b delivers an outstanding new ep on drumcode proving that swedish techno is thriving! the first track which, is a collaboration between petter b, john h & m.e.e.o, uses an arpegiated synth before storming to the main section of the track and breaking down the doors. the gliding synth sounds really fire with all guns blazing to produce a techno monster that growls. petter bs next two tracks involve two solo offerings that are heavily techno based.voltage controlled time uses raw distorted drums and a catchy synth line to really give the track a lot of energy and power.

sleeparchives influential minimalistic power in combination with the unique, endlessly evolving sound of mike parker, appear together for the first time on rptch04 split ep.
sleeparchive starts off on the a side, creating industrious textures with *fifth station* followed by two (endless) loops that lead to the a2 *white angel breadline*, a mesmerizing track with the classic sleeparchives timbre and brightness.
mike parker is responsible for one of the most recognizable sound of techno which is characterized by sublime, fluid atmospheres and never-ending hypnotic sequences. repitch recordings introduces him on the b-side with *flying nerves* and *lustrum*, leaving an indelible mark on the eleventh release of the italian berlin based label.

this album is available in 2 seperate parts. part one comes in limited luxurious handmade screen-printed sleeves. part two comes with an inner sleeve and can be combined with part one to built the full lp.

this album is available in 2 seperate parts. part one comes in limited luxurious handmade screen-printed sleeves. part two comes with an inner sleeve and can be combined with part one to built the full lp.

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

l 33... get acquainted as we think it is a name you will be hearing a lot more of in the future. hailing from the creative d&b hotbed that is bulgaria, l 33 has been creeping up the ranks with covert diligence and a sonic attitude that is going to take him right to the top. already enjoying big love and support from scene titans drum&bassarena, here we find him making his program debut with two scorching underground future-focused work-outs. recognise... it is time, once again, to get with the program!

patrice baeumel presents two adventurous minimal epics with decidedly mind-bending propensities

proud yorkshire label hudd traxx have been putting out a reliable stream of quality deep house since 2005, with artists like dj sneak, rick wade, iron curtis, jay bliss and agnes just some of the many names to appear on the label. this 46th release features three debutants, while the fourth name, j.t. donaldson, spearheads the release with a wishy-washy, bassline driven deep house vocal cut -got myself together-. hudd traxx provides dusseldorf producer maximiljan with his first physical release with the track -son of a- which merges the linear 909 house style of norm talley with smooth chords and cheeky vocals similar to the now defunct swiss house duo azuni. but most interesting for the label on this release, it s the two new names in professional gigolo and tuneon that prove hudd traxx still know where to look when it comes to unearthing new and vibrant talent.

hand stamped white label 12 inch featuring two unreleased, but dope as hell remixes/edits from chicago house legend, glenn underground: glenns jazzy and soulful nostalgic forever mix of amp fiddlers mornin backed with the his bumpy rewerk of raul midons sunshine. deep and wonderful!

first of two samplers taken from the forthcoming hot creations compilation album hot summer jams, featuring hot new tracks from some of the labels stalwarts as well as some of some burgeoning producers new to the label. this sampler features the mighty jamie jones, delivering the acid drenched dance floor beast ‘people from the moon, as well as germanys own jamy wings delectable dark ‘attention. on the flip santé & sidney charles treats us to the anthem that is ‘all night long, whilst dj le roi jacks the beat into submission on ‘free your mind. a tasty four tracker to sufficient to wet the palate of a the driest mouth..

komplike is a new danish label with the imprint of quality, creativity and care. we are now ready with our first release, and it is delivered to us by the super talented italian artist, joor ghen. joor ghen has gradually established himself on the minimal stage in europe, and were proud that he has agreed to become a part of our little family. the ep consists of two original tracks and two remixes and carries the title >volved<. the two originals >involved< and >revolved< are both minimal productions of very high quality. a grooving bass and legendary hi-hat groves give both tracks the features to keep the dance floor sizzling. the south american artist felipe venegas provides the remix of >involved<. he has taken the minimal track and transformed it into a tech house monster. >revolved< is remixed by the italian, super talented >000<. he has, quite in keeping with his unique sound - made &#8203,,,,,&#8203,,,,,a melodious remix with large format, perfect for the warm-up set or for the early morning hours.

12 inch repress , limited to 100 copies
- tropical vibes at ors. this time berlin based connaisseur aaaron delivers two peak time joints. on the b-side the african-inspired what i got. however the a-side comes straight from the jungle. ors is a label from djs for djs. with this release it shows us once again that even house doesnt need any genre barriers.

after three previous various artists releases, up-and-coming label french kitchen records returns with a full ep by (french kitchen artist) marcelo cura! already playlisted by marco carola himself with his *keep on goin* track on d-foor, the french prolific producer comes up with effective bouncy and fluid techno grooves! fk004 comprises four tracks. two originals: the atmospheric and bass-fuelled main track *n side* and the rolling pacey and direct *dirty side*. along with two strong & deep techno remixes by german artist dorian paic & the romanian dubsons, *n side* ep seems perfectly fitted for either techno aficionados or peak time ibiza hours!

todd osborn ftw again. this time with music to go with the beats: acid, house, idm and lots of fun. starts with two mixes of put your weight on it. one for lazy djs from frankfurt and a shorter one for hard working windy city selectors - in any case heavy stuff. flip features the softer side of the michigan maestro with the downtempo love poem medium and the contemplative markert. todd is g(o)od.

london/venezuela production duo juan laya & jorge montiel aka los charlys orchestra take influences from salsoul, fania, donna summer, cerrone, herbie hancock and even jamiroquay and blend them with their very unique style of production in order to deliver their latest anthem of neo latin disco. after a few months of experimentation across different sounds los charlys are back into their main arena with an outstanding new single entitle everlasting love. los charlys orchestra were first known by their initial disco/funk period and more recently by their infectious latin/funk sound, which has been buzzing all around the place for the past couple of years. this new single expresses a cross road in between the two periods of lco bringing up a new perspective for the future of this outfit.

1995 vintage bc: q-loop in full length + two cuts previously released on bcd

rotterdam based drum & bass label citrus recordings presents its 60th vinyl installment. on the bill we find long time veterans state of mind and exciting newcomers soligen & type-2 delivering two hard hitting pieces of dark, neuro flavoured drum & bass.

vinyl only - 180gr. following the recent album released on the cd series, emerging talent toppers first vinyl on sleep is commercial with two remixes from dewalta. psychedelic future sounds.

unstoppable youngster innershades comes with a new limited four tracker on the pinkman imprint! the belgium based talent shows hes definitely not a one trick pony and continues to explore his sound even further. this time by releasing two phat old school electro inspired bangers, and two synthesizer (nu)disco tracks which already proved to be fully effective on the floor!

baroc launch their imprint with two slices of tough, analogue house and techno from l neils. heat treated drums crack and thump underneath layers of ethereal synths and rolling, bubbling basslines. limited edition of 300 handstamped copies.

at the 2014 sxsw festival in austin, texas, bacardi turned the movements of 100.000 wild bats into an exclusive music track. using bespoke motion tracking technology, the team used the swarming of the bats to trigger unique beats and mix the tracks tone and tempo as they flew. this limited vinyl pressing of 200 copies on 180 gram vinyl features three craig richards remixs of that track

purple velvet is chris james and lee dearn, two purveyors of deep and sensuous house music since forming in late 2011. having gotten to know each other at various late night music sessions, the pair have increasingly honed their own house sound that s as suited to the dark confines of a club as it is the sunnier vibes of an outdoor terrace.

accompany the reissue of woo s into the heart of love, emotional rescue is releasing a limited 7inch featuring songs not included on the vinyl pressing, plus a previously unreleased version of the beautiful title song, which only appeared in later form on their cd only, la luna album. with the original into the heart of love album only appearing as a 60 minute cassette-only release, several of the albums songs could not make the first time vinyl issue from emotional rescue. therefore, this limited edition 7inch includes two of those ommited songs. the wistful english folk duet between mark ives and sue amor on make me tea and it s sibling on the album, a little long way. possibly woo s most straight forward folk song, make me tea is as the title imagines a very particular english poem. recording as a duet between two late night lovers, awaking from post-love making slumber to find peace and with it, a nice, perfect cup of tea. however, it is the inclusion of the unreleased version of the title song, magic in the dark that is worth the admission price alone. taken from the cd only album, la luna, the original s short and gentle story of late night love is presented here in it s alternate demo form. a different vantage point is shown in revelation and then exhaltation. the sadder start expands in to a beautiful and wonderus folk celebration. mark s vocals and guitar are later joined by gentle rhythmic percussion from brother clive, before clarinets duet to a yearning finale. woo once again showing their unique mix of folk and new age electronics. a one off to cherish.

carbon chic, a native of minneapolis, delivers a high-impact redux on a soulful kick for the a-side. while for the b-side, a deep and cozy after-hours excursion effortlessly begins. two tracks at home both on the dancefloor and in your space. beyond the speaker invites carbon chic for the label s sophomore release after legowelt and willie burns shared the successful label debut, angels against dust. with a broken man, beyond the speaker expands its horizons by committing new talent to wax, furthering the label s vinyl expedition. carefully mastered by alek stark, a broken man in redux form does not compromise, upping the tension between burrowing bass, satisfying beat and vocal machinations. on the flipside, deep affection offers a more comforting assortment of synthetic melody and late night warmth while maintaining a firm dancefloor footing with gently rolling hihats topping everything off.

if you re going to beat em down, you need the right tools. on the label s second release, grimy trax has given you a couple hammers. the a-side, dejay cease s the fixer is straight chicago. we re talking banging 909 funk that might be found buried on a particularly unhinged ron hardy mix. a simple bass line and two notes of acid are all it takes to make the floor go wild. this is functional heat with enough atmosphere to engage the mind, body and soul. on the b-side, rising chicago son boogienite proves he s earned the hype. boy, ok is an instant classic thanks to some recognizable disco strings and a funky escalator of a bassline. the producer uses a trippy, rubberband synth which eventually turns into rhythmic, teasing vocal. the mixdown is ridiculous, especially as the lengthy track passes the halfway mark. boogie brings the bassline in and out in between beautiful ambient rhodes and a call and response male and female vocal. those strings hit again and you feel no pain.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

last copies left !!
a bold move to cover a daft punk record? perhaps but off msg and vocalist hadi create a respectful update of the oft overlooked romanthony penned finale to daft punks second album. too long is one side of vinyl and 6 minutes of classic infectious house music as uncomplicated as it is effective. sounding not unlike an early marshall jefferson / jungle wonz record. hadis vocal leads the way, underpinned by loose house beats, live tambourine, a when house was discos little brother bass line and analogue disco stabs that punctuate the space. strictly limited to 500 hand stickered, stamped and numbered with no repress. these will not hang around mastered by original two lone swordsman mr keith tenniswood.

golden pudel resident helena hauff teams up with the mighty andreas gehm for a split acid record par excellance.comes on yellow marbled green vinyl.

short black are very happy to present sb002. two originals tracks by time division with remixes from amir alexander & dakini9. time division supply two raw deep techno cuts, phat, warm and dope. amir alexander s remix is a techno bomb and should work wonders on the dance floor. dakini9 goes deep into the pits of techno showing us why she believes in deep.

limited edition picture disc of the adrian younge and souls of mischief collaboration there is only now. the sixth album from legendary hip-hop group souls of mischief, there is only now, is a unique cinematic 90s crime tale of love, loss, and revenge. a conceptual collaboration with producer adrian younge and the first release on his freshly launched linear labs records label, there is only now gets its inspiration from a near fatal incident involving group members a-plus, opio, tajai, and phesto early in their careers. set in 1994, there is only now serves as a bookend to two decades of music since the release of their seminal debut album, 93 til infinity.

with two years of solid output behind them, sheffield label cpu has established itself as a binary science lab that delivers precision electro time after time. this continues with the welcome return of cygnus - tesseractar is the electro world killer he has always threatened to make. following on from his 2012 album newmark phase (the inaugural release on cpu), cygnus presents a collection of sci-fi / video game influenced soundscapes and melodies with a healthy dose of the roland tr-808.heads up drexciyan researchers.

nsm002 is me, mosca, again. two not-house not-techno tracks, a little more raw and textured than my last 12inch but with the same emphasis on dark, sexy grooves and just enough dissonance and freakiness. the greyhounds is a dubby rolling thing with an indulgent breakdown that i wondered about scrapping. i ended up backing myself because the crowds i played it to seemed happy, and ive wanted to use those strings for eleven years now. i tried to make clinical trial for the basement clubs, dust and metal and tape. thanks for checking it out.